EMIL KOSA Jr. (1903 – 1968)
 
This midcentury modern oil on board of three nude figures and a horse in the far left background measures 22-1/2” x 27-1/2” or in the period frame dimensions of 30” x 36” and is signed lower left.  This painting is one of a series of abstract oil paintings that Kosa did later in his career, circa 1950’s that almost has a roman bacchanal theme.  The painting is in good condition with no visible defects.  I believe that this painting may have came directly from Kosa’s estate and is a quintessential example of one of Emil Kosa Jr.’s midcentury modern abstracts of the 1950’s. 
 
Biography:
Emil Jean Kosa, Jr. was born in Paris, France on November 28, 1903 to a family of artistic talents. His father, Emil Kosa, Sr. was an artists and craftsman while his mother Jeanne Mares Kosa was a pianist at a Paris opera. Although Kosa’s mother died of tuberculosis when he was 3, Kosa received music lessons on the violin while receiving basic art lessons from his father. He moved to the U.S. with his family at age four in 1908 to Cape Cod, Massachusetts so that his father could work alongside Alphonse Mucha in designing theatrical posters and painting a series of murals.
In 1912, the family moved back to Czechoslovakia (Austria-Hungary). When WWI broke out, his father became a member of the Red Cross and Kosa traveled with his father. When the war ended, Kosa finished his art education at the Academy of Fine Arts in Prague while his family moved back to the United States. After his graduation, he moved back to the United States and went to live in California with his family in 1921. He found employment as a mural artist and designer working for decorating firms and architects. He continued to take classes at the California Art Institute in Los Angeles in 1927.
 
Upon receiving his naturalization in 1927, he left to Europe to study in a one year program at L’École des Beaux Arts in Paris and studied under Pierre Laurens. He also received instruction on modern forms of artistic expression and non-objective painting from Frank Kupka, his father’s friend. He returned to California in 1928 and married Mary Odisho. He worked as a mural artist and operated a business with his father that produced decorative art for churches and auditoriums. On the side, he continued to paint and draw landscape subjects and interesting old buildings and sold those through local galleries.
 
The 1930s was a prosperous decade where Kosa established himself as a leading West Coast watercolor artist. He experimented with techniques and styles and preferred to paint outdoors. His watercolors had little to no pencil outlines and were nontraditional in subject matter. Much of his subject matter at this point depicted trains, oil wells, industrial city scenes, and trucks parked for repair. His work was widely exhibited around America including New York’s American Watercolor Society and the National Academy of Design. Although he was gaining fame as a watercolorist, the fame was not enough to support his family. He took a job in 1933 in the newly-formed special effects department at 20th Century Fox Studios. He was given the role of the art director and held this position for 35 years. In 1963, Kosa won an Oscar for his work on Cleopatra.
 
In the 1940s, Kosa exhibited in solo shows at New York City’s Macbeth Gallery, Los Angeles County Museum, and many others. He was represented by Alexander Cowie of the Cowie Gallery and exhibited continuously throughout his life there. By the time Kosa’s wife passed away in 1951, the art world began to focus on modern art. Kosa would occasionally receive awards for his watercolors but he began to focus on painting modern non-objective works indoors while some days painting his watercolors outdoors. His modern works were met with little to no public interest, but his portraits were met with praise. He produced a large number of commissioned portraits of movie stars, businessmen, and politicians and became known as the top portrait artist in Southern California. In 1952, on his trip to Paris, he married ballet dancer Elizabeth Twaddel. He continued to paint through the 1960s. His oeuvre includes portraits, seascapes, landscapes, figures, and florals in oil and watercolor. He died in L.A. on November 4, 1968.